{"id":5239,"date":"2020-03-05T00:37:29","date_gmt":"2020-03-05T00:37:29","guid":{"rendered":"https:\/\/magazine.watchjaro.com\/?p=5239"},"modified":"2020-03-05T00:37:29","modified_gmt":"2020-03-05T00:37:29","slug":"the-dust-my-broom-exhibit-explores-the-legacy-of-artistic-traditions-from-the-american-south","status":"publish","type":"post","link":"https:\/\/magazine.watchjaro.com\/the-dust-my-broom-exhibit-explores-the-legacy-of-artistic-traditions-from-the-american-south\/","title":{"rendered":"The \u201cDust My Broom\u201d Exhibit Explores The Legacy of Artistic Traditions From The American South"},"content":{"rendered":"
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Willard Hill Untitled (2016\u20132018), Mixed media\/masking tape, 9 x 8 x 17\u201d, Collection of the California African American Museum, via caamuseum.org<\/figcaption><\/figure>\n

Since September, the California African American Museum (CAAM) has been showcasing its largest selection of works by Southern vernacular artists through their exhibition titled <\/b>Dust My Broom: Southern Vernacular from the Permanent Collection.\u00a0<\/i><\/b><\/p>\n

Paying homage to the 1930s Blues song \u201cDust My Broom\u201d by Robert Johnson, the exhibit\u2019s artworks were created by mostly self-taught artists from the American South who have been ignored by the mainstream art world throughout the span of their careers.\u00a0 \u201cThe exhibition brings rightful shine to these artists, celebrating the minor victories of daily Southern life in the face of glaring racial injustices buoyed by Jim Crow over generations,\u201d wrote <\/b>Hyperallergic\u2019s <\/i><\/b><\/a>Jasmine Weber. Mediums of creation include quilts, paintings, drawings and sculptures. The artwork emphasizes themes that examine social justice, folklore, Southern Christianity, daily life, and more.\u00a0<\/b><\/p>\n

In a statement about the Dust My Broom<\/em> exhibit, CAAM Museum writes: “The exhibition showcases numerous recent acquisitions and places them in the context of other works from the permanent collection\u2014specifically, alongside those connected to the California assemblage movement, including by Noah Purifoy and John Outterbridge, Los Angeles artists who were born in the South. In this regard,\u00a0Dust My Broom<\/em>\u00a0explores the affirmation, continuity, and innovation of African American southern vernacular aesthetics brought into the West through several waves of migration. Complemented by additional loans from local collections, these compelling works illustrate the breadth of approaches practiced by artists from the South, as well as by contemporary artists, including Dominique Moody, John T. Riddle Jr., and Betye and Alison Saar, who absorbed southern influences through personal experience, family ties, and their peers.”<\/strong><\/p>\n

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“Missionary” Mary Proctor, Music Heals (detail), 2009 Mixed media on blue jeans. Collection of the California African American Museum, via caamusem.org<\/figcaption><\/figure>\n

Within, you\u2019ll find the works of folk artists Sam Doyle and \u201cMissionary\u201d Mary Proctor, Purvis Young, Leanna Johnson, Leroy Almond, and several more. Curated by Program Director Mar Hollingsworth, <\/b>Dust My Broom: Southern Vernacular from the Permanent Collection <\/i><\/b>runs until March 15th, 2020. To learn more, please visit <\/b>caamuseum.org<\/b><\/a>.<\/b><\/p>\n

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Dominique Moody, \u201cReunion\u201d (1996), mixed media (via autre.love)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Since September, the California African American Museum (CAAM) has been showcasing its largest selection of works by Southern vernacular artists through their exhibition titled Dust My Broom: Southern Vernacular from the Permanent Collection.\u00a0 Paying homage to the 1930s Blues song \u201cDust My Broom\u201d by Robert Johnson, the exhibit\u2019s artworks were created by mostly self-taught artists […]<\/p>\n","protected":false},"author":4,"featured_media":5241,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[175],"tags":[930,149,31,51],"class_list":["post-5239","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-culture","tag-african-american-art","tag-black-art","tag-featured","tag-trending"],"_links":{"self":[{"href":"https:\/\/magazine.watchjaro.com\/wp-json\/wp\/v2\/posts\/5239","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magazine.watchjaro.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazine.watchjaro.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazine.watchjaro.com\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/magazine.watchjaro.com\/wp-json\/wp\/v2\/comments?post=5239"}],"version-history":[{"count":0,"href":"https:\/\/magazine.watchjaro.com\/wp-json\/wp\/v2\/posts\/5239\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazine.watchjaro.com\/wp-json\/wp\/v2\/media\/5241"}],"wp:attachment":[{"href":"https:\/\/magazine.watchjaro.com\/wp-json\/wp\/v2\/media?parent=5239"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazine.watchjaro.com\/wp-json\/wp\/v2\/categories?post=5239"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazine.watchjaro.com\/wp-json\/wp\/v2\/tags?post=5239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}