![\"\"](\"https:\/\/magazine.watchjaro.com\/wp-content\/uploads\/2018\/10\/NIGHTSCHOOL.jpg\" "\\"\\"")
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Kevin Hart\u2019s Hartbeat Productions teamed up with Will Packer (Girls Trip<\/i>) to produce the number one movie in the country, Night School<\/i>. \u00a0Written by the media mogul in conjunction with several other screenwriters, the film follows protagonist Teddy (Hart) as he enrolls in Carrie\u2019s (Haddish) class in an effort to earn his GED.\u00a0 Teddy evolves into an overall better human being as he embraces and overcomes the trials and triumphs that ensue and builds affirming relationships with his classmates.\u00a0 While the movie promotes positive messages about perseverance and overcoming insecurities, its reliance on caricatures instead of characters hinders me from having a deep investment in their lives and struggles. \u00a0I am not interested if the “Hotep” overcomes his distrust of technology, nor am I concerned with whether or not the sexually-repressed housewife finds the courage to demand attention and respect. It\u2019s not that I do not want to care; I cannot. These are not real people, rather one-dimensional representations. <\/strong><\/p>\n American culture is predicated on binaries. \u00a0As such, to critique is to condemn. To dislike is to hate. \u00a0To disagree with something someone says or how they say it is to throw away their entire argument. \u00a0This understanding, coupled with the recent dispute between Kevin Hart and Katt Williams, has made me very conscious about writing this review. \u00a0To quickly summarize (although I highly recommend you watch both Katt\u2019s commentary<\/a> as well as Kev\u2019s response<\/a>), during a radio interview Williams cited Tiffany Haddish\u2019s success as an example of systematic inequalities in Hollywood that only allow for uncomplicated black comedic expressions to take center stage. \u00a0Williams acknowledged the work that Haddish has put in on the stand-up stage by stating that she has been working since she was 16, but argued that people could not remember a Haddish stand-up joke because she has not yet proven herself to be able to deliver jokes back-to-back on a stage for an hour. \u00a0The veteran comedian had other things to say about both Night School <\/i>stars, some of which are erroneous, others which can be considered problematic and offensive. \u00a0But in light of the release of this film, this review seeks to engage with Williams’ argument on Hollywood and black representation, and in the process, highlight that – to be horribly clich\u00e9 – even a broken clock is right twice a day. \u00a0<\/strong><\/p>\n Williams, whose career has struggled significantly at the expense of his drug use and run-ins with the law, has been rendered disposable – a broken clock. \u00a0I do not wholeheartedly agree with how Katt said what he said and completely acknowledge that a lot of his “facts” were indeed not factual. But for every ten things he said, two of them held nuggets of truth – one being his critique of Hollywood and black representation. \u00a0To be clear, I do not hate either Hart or Haddish. I admire Hart\u2019s business acumen, his relentless grind, and his commitment to putting on other stand-up comedians. I am inspired by Haddish\u2019s ability to use comedy as a way of healing and making sense of her traumatic childhood, most notably her struggles with accepting and caring for her mentally ill mother. \u00a0Furthermore, I can understand why Haddish and Hart would be upset at what Williams said. However, Williams\u2019 aforementioned claim can be partially substantiated by\u00a0Night School<\/i>, the number one movie in America.<\/strong><\/p>\n Night School <\/i>relies on caricatures that land awfully close to stereotypes. \u00a0Using stereotypes can be effective as they are a common language shared by Americans across race, class, and ethnicity. \u00a0However, when using them you must add nuance\/complication otherwise you run the risk of reifying them. Hart\u2019s character, Teddy, is somewhat reminiscent of the Zip Coon<\/a>. \u00a0In attempts to maintain a romantic relationship with a woman who is out of his league, Teddy acquires a fancy car, clothes, and all the material accouterments of success to overcompensate for his insecurity about not having a high school diploma. \u00a0The film relies on malapropisms from his character and overall simple slapstick to generate laughter. Carrie (Haddish) can be likened to that figure of the Sapphire<\/a>. As a teacher, her investment in her students is genuine and she really wants to see Teddy succeed. She is not against using verbal and physical violence to get through to Teddy and to call out the white principal\u2019s subtle racism. \u00a0<\/strong><\/p>\n Again, to be clear, I am NOT attempting to argue that Hart and Haddish\u2019s caricatures are demeaning, although I can see how one could take up that argument.\u00a0 They are, however, in my opinion, terribly uninteresting and – to Katt\u2019s point – restrictive. \u00a0We have seen innumerable renditions of these caricatures. Thus, nothing about what they do or say surprises me; and when you have seen the character time and time again, you can see the joke coming and it doesn\u2019t make you laugh. \u00a0It only makes sense that the troubled teen decides to straighten herself out, lest she ends up like the old \u201closers\u201d in her night class. Of course, the incarcerated student is attacked by fellow inmates while Skyping in for class. <\/strong><\/p>\n To Katt\u2019s point, there is something about these simplified representations that seem to resonate with the masses – translation, the white majority. \u00a0You can only gain mass \u201csuccess\u201d if they are consuming your work. The question becomes – is simplification the only way to ensure significant financial success? \u00a0Looking at Pryor, Eddie Murphy, and movies like Sorry to Bother You<\/i><\/a>, I argue, no<\/i>. \u00a0<\/strong><\/p>\n It\u2019s okay to want to make and laugh at stupid shit. \u00a0It\u2019s comforting; it really is. Unfortunately, the entertainment industry seems to prefer these simple portrayals because they are easy to consume. \u00a0They are safe. They are familiar. Thus, they become the type of gold standard for Hollywood and in the process make it really hard for other portrayals of blackness to succeed. <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Kevin Hart\u2019s Hartbeat Productions teamed up with Will Packer (Girls Trip) to produce the number one movie in the country, Night School. \u00a0Written by the media mogul in conjunction with several other screenwriters, the film follows protagonist Teddy (Hart) as he enrolls in Carrie\u2019s (Haddish) class in an effort to earn his GED.\u00a0 Teddy evolves […]<\/p>\n","protected":false},"author":5,"featured_media":3440,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[179,173],"tags":[31,423,422,105,51],"class_list":["post-3439","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-film-tv","tag-featured","tag-kevin-hart","tag-night-school","tag-tiffany-haddish","tag-trending"],"_links":{"self":[{"href":"https:\/\/magazine.watchjaro.com\/wp-json\/wp\/v2\/posts\/3439","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magazine.watchjaro.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazine.watchjaro.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazine.watchjaro.com\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/magazine.watchjaro.com\/wp-json\/wp\/v2\/comments?post=3439"}],"version-history":[{"count":0,"href":"https:\/\/magazine.watchjaro.com\/wp-json\/wp\/v2\/posts\/3439\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazine.watchjaro.com\/wp-json\/wp\/v2\/media\/3440"}],"wp:attachment":[{"href":"https:\/\/magazine.watchjaro.com\/wp-json\/wp\/v2\/media?parent=3439"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazine.watchjaro.com\/wp-json\/wp\/v2\/categories?post=3439"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazine.watchjaro.com\/wp-json\/wp\/v2\/tags?post=3439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}